Synopsis
The film comes out of long ethnographic research into beekeeping in Bosnia and Herzegovina, carried on from 2014 to 2019, and out of filming at the author's own apiary. Some of the footage is shot on former front lines and in industrial zones, places that have since become new lines of forage.
Structure
The film is built around three folk tellings, each paired with an extreme weather event.
Tellings
- IThe angels who listen for the signs of the Endamong them the endangerment of animals
- IIPlanting on the eve of the apocalypseplant even on the Day of Judgment, on the Prophet's advice
- IIIThe flower called stid, shamewhose disappearance marks a shameless ecological negligence
The frame
- Eco-eschatologyIslamic tellings of the end of time read as ecological thought
- New lines of forageformer front lines and industrial zones as bee pasture
- Honey is thinningclimate change in the relation between plant, bee and beekeeper
The book
Beekeeping in the End Times
where an excerpt from the film was also shown.
From the film
Production
Authorship
- Larisa Jašarević and Azra Jašarevićdirection, production, editing and camera. Sisters and beekeepers, they sign everything jointly
- Mirza Redžepagićoriginal score, drawing on maqam, Sufi invocation, Balkan lore and industrial rhythm
Scale
- 72 hours of footageshot at 32 locations
- Mountain, riverine and Mediterranean ecologiesacross Bosnia and Herzegovina
- Post-production ran to twice the length of the shoot
Support came from the Wenner-Gren Fejos Fellowship for ethnographic filmmaking (USA), the ACLS/Luce Program for Religion, Journalism & International Affairs (USA), and the Independent Social Research Foundation (UK/NL), with Platform Arts (Australia) supporting the Geelong screening.
The film is self-produced. There is no separate sound recordist and no production company.
Running time: 63 minutes. The figure rests on a single source, Platform Arts, and is still to be confirmed with the authors.
Screenings
A record
- 2023Hitchcock Cinema · Queen Mary University of LondonPublic editing session, working cut · 4 May 2023
- 2023Universität Bremen · Institute of Anthropology and Cultural ResearchScreening and a reading from the book · 22 November 2023
- 2024Queen Mary University of LondonExcerpt, at the ISRF book launch · 28 March 2024
- 2025Online premiereFinal cut shown on World Bee Day · 20 May 2025
- 2025Platform Arts · Geelong, AustraliaScreening with a live Q&A from Bosnia · 5 June 2025
- 2025Sufi Cinema Festival · Konya, TurkeyThe only festival screening on record · 10 October 2025
- 2026Dom mladih · TuzlaScreening and presentation of the project, with the author · 21 January 2026
- 2026Maxwell School · Syracuse University, USAAnnounced screening with the authors · 23 April 2026
- 2026Dvonoćje II · 26 · MijakovićiOn the terrace at Zvjezdane Staze, with an introduction and a conversation afterwards · 21 June 2026, the summer solstice
The record is incomplete and is added to as more comes to light.
At Dvonoćje
The film was shown on the solstice at 21:00, introduced by Azra Jašarević, who spoke about how it came about and where it was shot. The conversation that followed ran without chairs turned to face the front and without a division between speaker and audience. Bees are kept in a number of households in Mijakovići.